New Rabotnik – Provocation (1) Stedelijk Museum Lockdown Abused by Koos Dalstra (Dalstar) + (2) White Supremacy and Black Lives Matter | Robert Ryman & Joseph Beuys | Black and White

Provocatie van Dalstar met Pindakaas! (foto jenchoosesjoydotcom.files)

A Serious Provocation (1) Rein Wolfs’ Stedelijk Museum Lockdown Abused by Koos Dalstra | Dalstar’s White Supremacy for Provocative Action

Gepubliceerd 27 jul. 2020

The New Rabotnik (275) A Serious Provocation. The New Director of the Stedelijk Museum Amsterdam in Confusion after the Publication of A Video that shows a Illegal Meeting at the Classical Staircase of the Museum. While we Follow Rein Wolfs, the Director, on A Tour through the Museum Collections in Close Down, the Performer Koos Dalstra AKA Dalstar, Organises A White Superiority Party, with Several Well Know Guests. It is Only when Joaquin Wall provide then A Stroke with the Video of at Double Portrait of Rob Renoult & James Baldwin that the Meeting gets Confused. As does Rein Wolfs, that we Follow on His Interrupted Tour through the Museum.

For Part (2) See

Muziek in deze Video
Nummer Jump,2004 Remaster
Artiest Van Halen
Album Jump
Auteurs Alex Van Halen, David Lee Roth, Eddie Van Halen

Licentie aan YouTube verleend door WMG namens Warner Rhino Off Roster Audio, PEDL, LatinAutor UMPG, Warner Chappell, LatinAutor Warner Chappell, ASCAP, UMPI, LatinAutor Perf, MINT BMG, LatinAutor ACODEM, ARESA, UMPG Publishing, Abramus Digital, UNIAO BRASILEIRA DE EDITORAS DE MUSICA | UBEM, CMRRA


A Serious Provocation (2) Stedelijk Museum ’s Rein Wolfs’ White Supremacy and Black Lives Matter | Robert Ryman & Joseph Beuys Colours | Black and White

Gepubliceerd 3 aug. 2020

The New Rabotnik (276) After Our First Investigation of the White Supremacy in the Dalstar Performance at Director Rein Wolfs’ Stedelijk Museum Amsterdam , here Another Curious Chapter in the Career of this Enigmatic Wolfs. As he remarks in his LIVE Performance, in the 90th he did an Intern Job at the Halle fur Neue Kunst in Schaffhausen, Switzerland. Studying the 50 or so White Paintings of the American Painter Robert Ryman in that Collection, he suggested him to Bring the White Water Foam of the Nearby Schaffhausen Waterfall, the So CalledRheinfall”, into his Paintings. Ryman immediately Came into Action, and as it Happened, A Crew of the Oldskool Radio Rabotnik TV Just Visited This Museum and Filmed this Exceptional Event.
Now, Nearly 30 Years Later, and to Complete the Actuality of This All, we add here A Video of the Famous Film Maker Babeth van Loo of the Performance of Joseph Beuys from 1980, at the Opening of the Venice Biennale, during which he Premiered his Capital Work “Kapital”. This Work, also then Part of the Schaffhausen Collection, is A Kind of Negative Print of the Ryman Collection. In the Many Blackboards that Beuys Used in This Work, the White Paintings of the American Painter are Reflected in Beuys’ Blackboards.
Today the Schaffhasen Collection exist No Longer. But in Our Video we bring back the Works of these Two Hero’s of Modern Art, who in Their Use of Black and White Speak of an Actual Theme that Dominates Today’s Art Critical Discussions. Could Rein Wolfs have Predicted It?

For Part (1) See


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