september 30, 2017 0 Jean Jacques Neuer – How Rodin’s Studio Paved the Way for Donald Judd, Jeff Koons, and the Art of the Future The artist’s approach to fabrication and the multiple was ahead of his time—and still not fully [...]
september 28, 2017 1 Tom Secker & Matthew Alford – James Bond movies scripted by the CIA Tom Secker and Matthew Alford report on their astonishing findings from trawling through thousands of new US [...]
september 26, 2017 2 50 Shades of Pissed Off – Proof FEMA Is Killing People Who Come to Them for “Disaster Relief” Proof FEMA Is Killing People Who Come to Them for “Disaster Relief” If you haven’t seen this yet [...]
september 26, 2017 1 The Tap – FEMA camps: The road to hell FEMA CONCENTRATION CAMPS – LOCATION and EXECUTIVE ORDERS – THE ROAD TO HELL There over 800 prison camps [...]
september 22, 2017 2 Abodia – Planning Bombing the WTC: The B-Thing http://www.abodia.com/911/PlanningBombingWTC-B-Thing.htm METHODICAL DECEPTION: Neocons, Mossad & [...]
september 22, 2017 0 Cor Hendriks – Madocmania (1): John Dee, spindoctor van de Fairy-Queen Nomine Bruti vocabitur insula et nuncupatio extraneorum peribit. (Voorspelling van Merlin) Er is geen beter [...]
september 21, 2017 4 The Event Chronicle – Evil Black Goo Used in Mecca & the Vatican Black Magic (Alarming Videos) Warning: This is NOT scifi and this substance is absolutely a demonic living organism. This substance [...]
september 19, 2017 0 Joris Baudoin – In response to MacBa Barcelona: The Horror Art Files or The Blackmail Archive 2017 In the Barcelona’s Museu d’Art Contemporani, one of the few museums open on a Monday, three exhibitions [...]
september 18, 2017 0 Cor Hendriks – Het project “De Droom van Madoc” Nadat ik in 2009 gestopt was met werken, heb ik me in eerste instantie bezig gehouden met een project, dat ik [...]
september 16, 2017 0 Richard Foster – “Afwijkende mensen”: Formulating perspectives on the Dutch ULTRA scene “Goedenavond. Vanavond afwijkende set, afwijkende gelegenheid, afwijkende mensen. Veel instrumentaal.” [...]