Leni Riefenstahl – Triumph des Willens (1933) (Colourised, English subtitles)

Triumph des Willens (foto SUE | Behavioural Design)

Triumph des Willens Reichspareitagfilm (foto Wikipedia)

Triumph des Willens (1933) (Colourised, English subtitles)

First published at 01:37 UTC on December 15th, 2020.

The Victory of Faith (1933) is the first documentary film directed by Leni Riefenstahl. It documents the Fifth NSDAP Nuremberg Congress shortly after the party came to power.

Thanks to my new volunteer, Dawson for colourising this film and sending it to me.

The film includes Ernst Röhm, head of the SA and, at the time, the second most powerful man within the NSDAP Party. Less than a year later, Röhm attempted, along with other top SA members, a Military coup against the elected government of Hitler. The film Triumph of the Will, on this channel below, was produced to replace this one and follows a similar script.

This film recounts the Fifth Party Rally of the Nazi Party, which occurred in Nuremberg from 30 August to 3 September 1933. The film is of great historic interest because it shows Adolf Hitler and Ernst Röhm on close and intimate terms, before Röhm was shot on 1 July 1934. As he then sought to erase Röhm from German history, all known copies of the film were destroyed on Hitler’s orders, and it was considered lost until a copy turned up in the 1980s in East Germany.

The form of the film is very similar to her later and much more expansive film of the 1934 rally, Triumph of the Will. Der Sieg des Glaubens is Nazi propaganda for the Nazi Party, which funded and promoted the film, which celebrates the victory of the Nazis in achieving power when Hitler assumed the role of Chancellor of Germany in January 1933.

Like her Nazi propaganda films of 1935, the short Tag der Freiheit: Unsere Wehrmacht (Day of Freedom: Our Armed Forces) and the classic propaganda feature Triumph of the Will, Der Sieg des Glaubens documents a Nazi Party rally, the Fifth NSDAP Congress, in a straight chronological format. It has no voiceover or commentary. The activities captured include the welcoming of foreign diplomats and other party members and politicians – such as Franz von Papen – at the Nuremberg train station; Adolf Hitler’s arrival at the airport and his meeting with important party members such as Joseph Goebbels and Hermann Göring; massive Sturm Abteilung (SA, colloquially known as “Brownshirts“) parades; and Hitler’s speech on the assumption of power by the party, and the tenth anniversary of the German National Socialist Movement.

The events shown are in roughly chronological order, starting with the arrival of Hitler in Nuremberg and the welcome given by the Nuremberg Gauleiter, Julius Streicher. Rudolf Hess is shown sitting next to Hitler, and the Fuhrer passes him a bunch of flowers given to him by admirers. Hitler is also shown in several cameos with Ernst Röhm, then leader of the SA. The welcome includes a speech from a senior official of the Italian National Fascist Party, Arturo Marpicati, with conveyed greetings from Benito Mussolini. It is followed by the rally on the vast parade ground recently built by Albert Speer, and includes a shot of a Zeppelin airship floating by, complete with swastika on the tailfin. There is also a separate rally of Hitler Youth, with an introduction by Baldur von Schirach. There follows a march past in the streets of the old city, with the party leaders receiving the salutes of the massed goosestepping ranks of the SA and the SS. Familiar faces include Hermann Göring and a brief cameo appearance of Heinrich Himmler, who would be the star of Riefenstahl’s next propaganda film, The Triumph of the Will, after his and Gōring’s successful efforts incite Hitler to massacre the leadership of the SA.

Marching troops feature again in the final sequences in the main parade ground, with tributes to the fallen from Hitler and Röhm, and various flag ceremonies which appear to have quasi religious significance to the members of the party. The shots of marching feet and legs has an almost hypnotic effect on the viewer, well parodied by a later British wartime short which matches the time of the marching to the popular song “The Lambeth Walk“.

Ernst Röhm, head of the SA and, at the time, the second most powerful man within the Nazi Party, is prominent in The Victory of Faith. In less than a year, Röhm and many of his lieutenants would be executed under Hitler’s orders. Hitler personally roused Röhm from his bed at his lakeside hotel when he arrested him for treason in devising a plot against Hitler. All references to Röhm were ordered to be erased from German history, which included the destruction of all known copies of the film in 1934, probably on Hitler’s order.

The 1935 film Triumph of the Will was produced to replace it but differs in that the upper hierarchy of the Party, “Hitler’s paladins” do not receive nearly as much attention in the later film as they did in the earlier one. This film can also be viewed on the Internet Archive.

Riefenstahl’s next propaganda film, Triumph of the Will, which documented the next year’s party rally, follows a similar script, which is evident when one sees both films side by side.