november 27, 2017 0 Stefan Koldehoff – When Myth seems Stronger than Scholarship: Van Gogh and the Problem of Authenticity Van Gogh Museum Journal 2002 When Myth seems Stronger than Scholarship: Van Gogh and the Problem of [...]
november 17, 2017 0 Bo-Anne van Egmond – Die lamme + Edwin Mijnsbergen – De Lamme en de Blinde Die lamme Noordhollands Dagblad, 16 november 2017 https://www.noordhollandsdagblad.nl/den-helder-eo [...]
november 2, 2017 0 John Berger – Ways of Seeing (1) t/m (4) (1972) Ways of Seeing (1) (1972) Gepubliceerd op 8 okt. 2012 A BAFTA award winning series with John Berger, which [...]
november 2, 2017 0 Christopher Watson – Shocking Truth About Stonehenge They Do Not Want You to Know + Stonehenge Protection Committee & National Trust – The protection of Stonehenge: An appeal Stonehenge being re-erected 1958 (foto YouTube) Het is 100 jaar geleden, dat de plaatselijke Advocaat Cecil [...]
oktober 23, 2017 3 50 Shades of Pissed Off – Hollywood “Insider” Exposes Clones, Cults, Serpents, Mind Control And More I stumbled upon a fascinating forum from 7 years ago from a woman who goes by “Felicia G” that had worked [...]
oktober 16, 2017 0 Edgar Allan Poe – The Domain of Arnheim “The garden like a lady fair was cut, That lay as if she slumbered in delight, And to the open skies her [...]
oktober 8, 2017 0 Cor Hendriks – Madocmania (2): De ‘Welsh-Indians’ ‘Madoc, thou hast not told us yet what land So long estrangd thee from us? hast thou found Those distant [...]
september 26, 2017 1 The Tap – FEMA camps: The road to hell FEMA CONCENTRATION CAMPS – LOCATION and EXECUTIVE ORDERS – THE ROAD TO HELL There over 800 prison camps [...]
september 22, 2017 0 Cor Hendriks – Madocmania (1): John Dee, spindoctor van de Fairy-Queen Nomine Bruti vocabitur insula et nuncupatio extraneorum peribit. (Voorspelling van Merlin) Er is geen beter [...]
september 16, 2017 0 Richard Foster – “Afwijkende mensen”: Formulating perspectives on the Dutch ULTRA scene “Goedenavond. Vanavond afwijkende set, afwijkende gelegenheid, afwijkende mensen. Veel instrumentaal.” [...]