Arte | Chantal Akerman – Almayer S Folly (2011) + Je Tu Il Elle (1974) + Golden Eighties (1986)+ The Captive (2000) + The Meetings of Anna (1978)
The Cinema of Chantal
A Collection of Films by the Acclaimed Belgian Director Chantal Akerman, 1950 – 2015, Whose Film Tackled Themes of Feminism, Identity, and Homo Sexuality.
https://nl.wikipedia.org/wiki/Chantal_Akerman
Almayer S Folly (2011)
In 1950 S Malaysia, A European Merchant Becomes Obsessed with Finding Treasure to Secure his Daughter S Future. His Dreams Crumble under the Dual Pressures of His Own Greed That Turns into Torment, and the Oppressive English Domination the Country is Experiencing, Leading the Remote Village he Lives In to Fall into Ruin.
https://NL.wikipedia.org/wiki/La Folie Almayer
Reacties
https://www.arte.tv/en/videos/116671-000-A/almayer-s-folly/
Je Tu Il Elle (1974)
In Chantal Akerman S Sexually Daring First Feature, A Nameless Young Woman Breaks from her Self Imposed Solitude to Embark on A Road Trip, Finding Ephemeral Romantic Encounters along the Way. Interacting with A Script, A Truck Driver, and A Former Lover, her Journey Explores the Fluidity of Identity and the Different Forms Relationships can Take.
https://NL.wikipedia.org/wiki/Je, Tu, Il, Elle
Reacties
https://www.arte.tv/en/videos/116670-000-A/je-tu-il-elle/
Golden Eighties (1986)
Set in A Vibrant Shopping Mall, “Golden Eighties” Combines Chantal Akerman S Feminist Insight with Musical Comedy. Shop Keepers and Clients Navigate Infatuations, Including Three Women Who Vie for One Man S Heart in Song and Dance. As Consumerism Frames Their Romance, the Film Explores Deeper Themes of Identity and Survival in Modern Society, Punctuated by Dazzling Musical Performances.
https://NL.wikipedia.org/wiki/Golden Eighties
Reacties
https://www.arte.tv/en/videos/116669-000-A/golden-eighties/
The Captive (2000)
Simon S Love for Ariane Transforms into A Suffocating Obsession. His Desire to Possess her Escalates as he Shadows her Daily Activities, From Museum Visits to Opera Outings, Fuelled by Suspicions of her Attraction to Women. Based on Marcel Proust S “La Prisonnière”, the Film Delves into Simon S Psychological Entrapment, Highlighting his Compulsive Control over Ariane’S Elusive Affections.
https://NL.wikipedia.org/wiki/La Captive
Reacties
https://www.arte.tv/en/videos/024902-000-A/the-captive/
The Meetings of Anna (1978)
In this Character Study, Chantal Akerman Portraits Film Maker Anna As She Tours through Europe to Promote her Newest Movie. With Every Fleeting but Poignant Encounter She Makes along the Way, her Emotional Aloofness Becomes More Apparent. From Intimate Strangers in Germany to Family in Belgium, Every Interaction Unveils How Isolated Anna Truly is.
https://NL.wikipedia.org/wiki/Les Rendez Vous D Anna
Reacties
https://www.arte.tv/en/videos/001749-000-A/the-meetings-of-anna/
https://www.arte.tv/en/videos/114552-000-A/jeanne-dielman-23-quai-du-commerce-1080-bruxelles/
Meer informatie
https://robscholtemuseum.nl/?s=Arte
https://robscholtemuseum.nl/?s=Chantal+Akerman
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