16 december 2019 1 Oscar van Gelderen – On Sturtevant, the mother of appropriation art (and a bit on Houellebecq) Last week, I went to see the Sturtevant exhibition in the Madre Museum in Napels. While walking around [Lees verder]
15 december 2019 0 Calvin Tomkins – Living Well Is the Best Revenge Gerald and Sara Murphy, the couple who inspired F Scott Fitzgerald’s “Tender Is the Night” (foto Mark [Lees verder]
24 oktober 2019 0 Unseen – Collector of the month: Aernoud Bourdrez In this series of interviews, we explore the lives of various collectors by looking at what, why and how they [Lees verder]
19 december 2018 0 Friedrich Tietjen – The Multiple as Label The Critic Smiles is the name which Jasper Johns gave to the small relief of a toothbrush made from lead, [Lees verder]
28 september 2018 1 Maurizio Cattelan – What I’ve Learned About Copies Artist Maurizio Cattelan on Barack Obama’s Secret Pharaonic Past The artist recounts small discoveries he [Lees verder]
30 september 2017 0 Jean Jacques Neuer – How Rodin’s Studio Paved the Way for Donald Judd, Jeff Koons, and the Art of the Future The artist’s approach to fabrication and the multiple was ahead of his time—and still not fully [Lees verder]
6 juni 2017 0 Rob Perrée – Rob Scholte : Copying as Strategy Every now and then some publicity-seeker will again pop up to complain that Rob Scholte (1958) has [Lees verder]
28 december 2016 0 Rob van Gerwen – Copyright and Watch Duty: Rob Scholte’s Work (1) Abstract: Image right is maintained by comparing the outward appearance of pictures, not their meaning. But [Lees verder]
28 augustus 2016 0 Caroline Dumalin – Spelen met de brokstukken: De receptie van het postmodernisme in Metropolis M (1979-1989) 1. Aankomst In 1979 richtten drie Utrechtse studenten – Rob Smolders, Arjen Kok en Alex de Vries – het [Lees verder]